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Auguries Through the Mist, The Colab, The Artist's Garden @ Temple Tube London, 2024- date

Muff, Sibilians, Floodlight  Chromatic Hands, XXijra Hii Gallery London, 2026

Fons Virtutis (Senuna), Commissioned for The Goddess, the Deity and the Cyborg at The Women's Art Collection, Murray Edwards College Cambridge, 2024 

Crystalis, Site Specific installation Zabludowicz Collection, Sarvisalo, Finland, 2023

The Visitor, The London Open, Whitechapel Gallery, 2022

Hydrosplurdge, La Mariposa, Soho Revue Gallery London, 2023

Tilt Shift: Shadows of the Seasoned Sun, Southwark Park Gallery, London, 2023

The Sleeper, Southwark Park Gallery, London, 2023

Orbit Within the Echoes, performance at Cape Manor Gardens and Nocturnal Creatures, Whitechapel Gallery London, 2023

Orbit Within the Echoes, Edition for King & McGaw, OHSH Projects London, 2023

Orbicular Overlay, Rectory Projects, London, 2021

Nothing is harder to understand (strength), Ritual for a New Regime, Holloway Road London, 2020

Command Lines, Void Gallery Northern Ireland, 2019 Photos Tansy Cowley and Void Gallery

The Gates of Apophenia, Bosse and Baum Gallery London, 2019

Bells, Various shows including Cooke Latham Gallery and Southwark Park Galleries, London, 2022

Sonic Arrangements in the Infinite Fill, Void Gallery Northern Ireland, 2019 Photos Tansy Cowley and Void Gallery

Lessness, Still Quorum, performance at Serpentine Galleries, 2018

Unreasonable Silence, Tarot cards, artist’s book Published & edited by common-editions, 2018 Designed by Stinsensqueeze (images ©Stinsensqueeze 2021)

Orphidian's Sequences, Bosse and Baum Gallery, 2017

Nothing is Harder to Understand, Exposed Arts Projects, 2018

Boredom & it's Acid Touch, Frieze Art Fair, Bosse & Baum Gallery, 2017

The Vernacular History of the Golden Rhubarb, Bosse and Baum Gallery, 2017

Cache, Art Night Associate Programme, Bosse and Baum Gallery, 2017

Glissando, Bosse and Baum Gallery 2014, and Salisbury Arts Centre 2012

​​Candida Powell Williams is a British artist that makes sculptures, installations and performances ranging from theatrical landscapes to intimate grottos, blending ancient esoterica with contemporary vernaculars of play and spectacle. Recent large-scale projects includes a fountain  Auguries through the Mist, a commission by theCOLAB for the Artist's Garden [the world's only sculpture garden dedicated to the work of women artists] on the roof terrace above Temple Tube station in London. Other selected exhibitions and commissions include The Goddess, the Deity and the Cyborg at The Women’s Art Collection Murray Edwards College Cambridge, 2024; Crystalis, site specific installation Zabludowicz Collection Finland, 2023; The London Open & Nocturnal Creatures, Whitechapel Gallery London, 2022; Tilt Shift: Shadows of the Seasoned Sun, Southwark Park Galleries, London, 2022; The Gates of Apophenia, Bosse & Baum London, 2019; Command Lines, Void Gallery Northern Ireland, 2019; Lessness, still quorum, performance, Serpentine Galleries, London, 2018, Tongue Town, Museum of Modern Art, São Paulo, 2017; Cache, Art Night Associate Programme, London, 2017; Boredom & Its Acid Touch, performance, Frieze Art Fair, London; Coade's Elixir, Hayward Gallery 2014; Glissando, Salsbury Arts Centre, 2014. CPW regularly contributes to lectures, podcasts and discussions, most recently River of Sound on Resonance FM (Sept 2025) and Soho Radio.

CPW received a MA from the Royal College of Art, London in 2011 where she held the Eric and Jean Cass Sculpture Award and a BA from the Slade School of Fine Art London in 2009.  She was awarded the Mother Art Prize, 2018. She was Artist in Residence at the Warburg Institute 2018-19 and undertook the Sainsbury Scholarship at the British School at Rome in 2012-13.  As well as being reviewed widely her work is discussed by Dr Edwin Coomasaru in ‘British Art and the Environment, Changes, Challenges and Responses since the Industrial Revolution’ published by Routledge in 2021.

CPW is a lecturer in Fine Art and lives and works between London and Cambridge UK

Recent

Chromatic Hands https://xxijrahii.net/chromatic-hands/ Feb 2026

The Artist's Garden annual lecture, Royal Society of Arts London, Feb 2026

Auguries Through the Mist https://www.thecolab.art/programme ​​

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Press- Publications- Interviews

Selected texts & interviews 

River of Sound, with Holly Hendry & Claire Mander director of the Colab, Resonance Fm (radio) ( Autumn 2025)

Mary Mary, Studio International, Beth Williamson, (online) (published 18th October 2024)

Mary Mary, The Observer, Simon Coates  (online) (published 4th Dec 2024)

The London Open Review, Time Out, (online) (Published 2022)

Now Nancy, Soho Radio, (2022)

Top 5 Immersive Art Exhibitions London, Fad Magazine, Tabish Khan (online) ( Published13 June 2022)

British Art and the Environment, Chapter by Edwin Coomasaru, published by Routledge (print) (Published 2021)

The Gates of Apophenia, Review, This is Tomorrow, Harriet Smith Hughes, 2020 (online) (Published on 2 March 2020)

Brexit politics and feminist prophecies, Burlington Contemporary, Dec 18th, Dr Edwin Coomasaru (online) ( Published 18th Dec 2019)

Interview with Sonja Teszler, Floorr Magazine, (online) (Published 24th October 2019) 

Best Visual Art Shows, The Irish Times, Aidan Dunne (print & online) (published Sat 6th July 2019)

The Arts Show, BBC Radio Foyle, review June 28th, interview (radio) (June 21st 2019) 

Unreasonable Silence, tarot deck & book, published by common-editions, (print) (Published April 2019)

Can you buy performance art, Financial Times, Melanie Gerlis, (print) (published Sept 28th 2018)

 

How to spend money on performance art, The Times, Nancy Durrant, (print & online) (published Feb 17th 2018)

The Art List, Rising Stars, Evening Standard, Hettie Judah, Oct 5th (print & online) ( Published Oct 5th 2017)

Lotus Publication, text by Kathy Noble (2017)

Footnotes Publication, texts by Dr Oren Margolis & Rebecca Jagoe (print) (Published 2017)

Interview Studio International, with Anna McNay (online) (Published 8th Feb 2017)

The Vernacular History of the Golden Rhubarb, Review This is Tomorrow by Betsy Porritt (online) (Published 15th Feb 2017)

Glissando, text by Antonia Shaw, 2014

Interview with Stephen Farthing, FUKT German drawing magazine (print) (Published 2013)

Glissando Review A-N Magazine, Gabriella Hoad, (online) (Published Aug 30th 2012)


South London Art Map, review Sleight, (online) (Published 2012)

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